Pierre Baillot: Secondary Literature (A Select Bibliography)
(Baillot’s own writings are listed here; writings by his contemporarie and 19th-century documents are listed here.)
Arfini 2012 = Arfini, Maria Teresa. “Il ruolo dell’interprete nella riscoperta della musica antica: Pierre Baillot e la musica strumentale di Johann Sebastian Bach” [The interpreter’s role in the rediscovery of old music: Pierre Baillot and the instrumental music of Johann Sebastian Bach]. Unpublished paper presented at the “Festival Paganiniano di Carro 2012: La scuola violinistica Franco-Belga da G. B. Viotti a E. Isaÿe,” July 9–11, 2012.
Athanassoglou-Kallmyer 2001 = Athanassoglou-Kallmyer, Nina. “Blemished Physiologies: Delacroix, Paganini, and the Cholera Epidemic of 1832.” The Art Bulletin 83/4 (Dec., 2001),{ Vol. 83, No. 4 (Dec., 2001),} pp. 686-710. Published by: CAA Stable URL: https://www.jstor.org/stable/3177228
Compares Ingres’s portraits of Paganini and Baillot:
Bachmann 1913 = Bachmann, Alberto. Les grands violinistes du passé [= The great violinists of the.past]. Paris: Librairie Fischbacher. 469 pp.
pp. 3–11 about Baillot
Barizza 2012 = Barizza, Andrea, et al. “Festival Paganiniano di Carro 2012: La scuola violinistica Franco-Belga da G. B. Viotti a E. Isaÿe” [The Franco-Belgian violin school from G. B. Viotti to E. Ysaÿe]. Program (with abstracts) of the Conference, Carro, 9–11 July 2012.
–> Arfini 2015, Liebermann 2015, Morabito 2020, Penesco 1999, Suchowiejko 2013
Barzanò 2014 = Barzanò, Annalisa, et al. “International Conference: P. A. Locatelli and J.-M. Leclair: Legacy in the xix Century.” Program (with abstracts) of the Conference, Bergamo, 17–19 October 2014.
–> Lachat-Sarrete 2014, Mastropietro 2015, Morabito 2015a, Triviño López 2014a
Bongrain 1996 = Bongrain, Anne, and Yves Gérard, eds. Le Conservatoire de Paris: des Menus-Plaisirs à la Cité de la musique, 1795–1995. Paris: Buchet-Chastel. 354 pp. Papers presented at the Conference “200 ans de pédagogie au Conservatoire,” Paris, 2–4 Feb. 1996. Paris: Buchet-Chastel.
Bongrain 1999 = Bongrain, Anne, and Alain Poirier, eds. Le Conservatoire de Paris: deux cents ans de pédagogie, 1795–1995 [The Paris Conservatory: two-hundred years of pedagogy, 1795–1995]. Papers presented at the Conference “200 ans de pédagogie au Conservatoire,” Paris, 2–4 Feb. 1996. Paris: Buchet-Chastel. 444 pp.
–> Penesco 1999, François-Sappey 1999
Bucelle 2015 = Bucelle, Amélie. “Pierre Baillot: 1791–1841, un demi-siècle de concerts à Paris.” Unpublished paper presented at the Conference “L'homme-violon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
David 2008 = David, Lauriane. Pour un apprentissage de la musique dans la complexité: Des conceptions pédagogiques issues du rationalisme à celles issues de la pensée complexe. Mémoire. CEFEDEM Rhône-Alpes.
Dorfer 2006 = Dorfer, Richard Dietmar. A Pedagogical Analysis of Pierre Baillot's Twenty-Four Études and a Comparison to the Études of Rodolphe Kreutzer and Pierre Rode. DMA thesis, University of Washington, ProQuest Dissertations Publishing.
Dratwicki 2015a = Dratwicki, Alexandre, and Étienne Jardin, dir. L'homme-violon: Pierre Baillot, 1771-1842 (2015). Conference Paris, 9–10 January 2015.
–> Bucelle 2015; Dratwicki 2015b; François-Sappey 2015; Gretreau 2015a; Jardin 2015; Kubik 2015; Lachat-Sarrete 2015; Lainé 2015; Morabito 2015; Raymon 2015; Reynaud 2015; Seve 2015; Soulier 2015; Suchowiejko 2015; Tisdall 2015
Eastham 2009 = Eastham, Sohyun. The Violin and Romanticism: The Role of the Violin in Expressing the Musical Ideas of the Romantic Period and the Development of Violin Techniques in the Era. Rev. version of the author’s diss., University of Newcastle, Australia. 2007. Chisinau (Moldova): LAP Lambert Academic Publishing. 320 pp.
Fauquet 1986 = Fauquet, Joël-Marie. Les Sociétés de musique de chambre à Paris, de la Restauration à 1870 [The chamber-music societies in Paris from the Restauration to 1870]. (= Domaine musicologique, 1). With a preface by François Lesure. Rev. version of the author’s PhD diss., Université de Paris-IV-Sorbonne, 1981. Paris: Aux Amateurs de 1ivres. 448 pp
Fermanian 2019 = Fermanian, Vasken Varujan. O concerto para violino e orquestra de Ludwig van Beethoven, op.61: uma abordagem comparativa entre o fac-símile e edições do séc. XIX [The Concerto for Violin and Orchestra by Ludwig van Beethoven Op. 61: an approach comparing the facsimile and 19th-century editions]. In Portuguese. Master thesis, Escola Superior de Artes Aplicadas do Instituto Politécnico de Castelo Branco, Portugal. 77 pp.
François-Sappey 1978 = François-Sappey, Brigitte. “Pierre Marie François de Sales Baillot (1771–1842) par lui-même: étude de sociologie musicale” [Pierre Marie François de Sales Baillot (1771–1842), according to himself: study of a musical sociology]. La vie musicale en France sous les rois Bourbons: Recherches sur la musique française classique 18, 127–211
François-Sappey 2015 = François-Sappey, Brigitte. “Pierre Baillot: les chemins de l’art du violon” [Pierre Baillot: the paths of the art of the violin]. Paper presented at the Conference “L'homme-violon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
Fritz 2022 = Fritz, Claudia, and Stéphanie Moraly, ed. Le violon en France du XIXe siècle à nos jours. Paris: Sorbonne Université Presses. 364 pp.
Gelrud 1940 = Gelrud, Paul G. Foundations and Development of the Modern French Violin School. Master thesis, Cornell University. 135 pp.
Especially pp. 92–117.
Gelrud 1941 = Gelrud, Paul G. A Critical Study of the French Violin School (1782–1882). PhD diss., Cornell University, 651 pp.
Especially pp. 222–85 and 410–36.
Gétreau 2015a = Grétreau, Florence. “Les planches didactiques de l’Art du Violon: genèse, portée pédagogique, nouveauté conceptuelle” [= The pedagogical branches of L’Art du violon: genesis, pedagogical scope, conceptual novelty]. Unpublished paper presented at the Conference “L'homme-violon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
Jardin 2015a = Jardin, Étienne. “L'Europe de Pierre Baillot: voyages, séjours et tournées.” Paper presented at the Conference “L'homme-violon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
Jardin 2015b = Jardin, Étienne. “Retrouver Leclair (1794–1874).” Paper presented at the conference “P. A. Locatelli and J.-M. Leclair: Legacy in the xix Century,” Bergamo, 17–19 October 2014. Published in Morabito, Fulvia, ed., Locatelli and the Violin Bravura Tradition, Turnhout (Belgium): Brepols, In: Morabito 2015a, pp. 43–58.
pp. 47–54:“Baillot et Leclair:”
Kubik 2015 = Kubik, Cécile. “`Excessivement remarquable’: le jeu de Pierre Baillot, mécanisme et exécution violonistiques” [`Extraordinarily remarkable’; the playing of Pierre Baillot, mechanics and violinistic execution]. Unpublished paper presented at the Conference “L'homme-violon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
Kubik 2016 = Cécile Kubik. Penser l'interprétation des sonates françaises pour piano et violon au XIXe siècle, centrée sur la période 1800–1870: des sources au concert [Reflecting about the interpretation of French sonatas for piano and violin in the 19th century, with emphasis on the period from 1800 to 1870: from sources to concert]. PhD diss., Conservatoire national supérieur de musique et de danse de Paris. 1080 pp.
La Grandville 2017 = La Grandville, Frédéric de. Dictionnaire biographique des élèves et aspirants du Conservatoire de musique de Paris (1795–1815). Rev. version. L’Institut de recherche sur le patrimonie musical en France.
*Lachat-Sarrete 2014 = Lachat-Sarrete, Priscille. "L'école française de violon de Viotti, Kreutzer, Baillot et Rode: virtuosité et lyrisme dans les concertos pour violon" [The French violin school of Viotti, Kreutzer, Baillot, and Rode: virtuosity and lyricism in the violin concertos]. Unpublished paper presented at the Conference "P. A. Locatelli and J.-M. Leclair: Legacy in the xix Century," Bergamo, 17–19 October 2014.
*Lachat-Sarrete 2015a = Lachat-Sarrete, Priscille. “Les concertos de Pierre Baillot: le violon, une seconde voix humaine” [The concertos of Pierre Baillot: the violin, a second human voice]. Unpublished paper presented at the Conference “L'hommeviolon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
Lainé 2003 = Lainé, Frédéric [Anne Penesco, Bernard Gaudfroy] and Juliette Barbarin. L'Art du violon: autour de Pierre Baillot 1771/1842 [= The art of the violin: around Pierre Baillot 1771/1842]. Exhibition Catalogue. Chalon-sur-Saône: Musée Vivant Denon. [98] pp.
Lainé 2015 = Lainé, Daniel. “Mon aïeul Pierre Baillot. Souvenirs” [My ancestor Pierre Baillot: memories]. Paper presented at the Conference “L'homme-violon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
Lambert 2014 = Lambert, Marjolaine. Looking Back and Moving Forward: From Baillot's L'art du violon to Boulez's Hyper-Violin. DMA thesis, McGill Univ. 75 pp.
Macnicol 2021 = Macnicol, Douglas. “The French School of Violin Playing between Revolution and Reaction: A Comparison of the Treatises of 1803 and 1834 by Pierre Baillot.” Nineteenth-Century Music Review 18/3 (Dec.), 359–88.
Mangani 2016 = Mangani, Marco. “La musica di Boccherini nelle séances di Pierre Baillot (1814–1840).” Codice 602: Rivista dell'Istituto Superiore di Studi Musicali "Luigi Boccherini" di Lucca n. 7 (Università di Ferrara, Dipartimento di Studi Umanistici), pp. 43–70.
Massip 2007 = Massip, Catherine. “Les sources écrites de l'interprétation au département de la musique de la Bibliothèque Nationale de France: présentation générale” [The written sources about interpretation in the Music Department of the Bibliothèque nationale de France: general presentation]. Fontes Artis Musicae 54/1, “L'interprétation musicale dans les fonds des bibliothèques” (Jan.–Mar.), 6–26.
Especially pp. 11–12 and 15–16.
Mastropietro 2015 = Mastropietro, Alessandro. “Un solismo da camera: Baillot e il trio brillant parigino nell’editoria musicale d’inizio secolo xix” [Soloistic writing in chamber music: Baillot and the Parisian brilliant trio in early 19th-century music publishing]. Paper presented at the conference “P. A. Locatelli and J.-M. Leclair: Legacy in the xix Century," Bergamo, 17–19 October 2014. Published in Morabito, Fulvia, ed., Locatelli and the Violin Bravura Tradition, Turnhout (Belgium): Brepols, pp. 231–56.
McMichael 2018 = McMichael, Anna. “Training Creative Violinists: Taking a Page from Baillot's L'Art du Violon.” Master Thesis, Sydney Conservatorium of Music. 112 pp.
McMichael 2021 = McMichael, Anna. “Violin Effects from the Early Nineteenth Century: The Extended Techniques of Pierre Baillot.” Nineteenth-Century Music Review 18/3 (Dec.), 565–86.
Mirkovic 2016 = Mirkovic, Kristina. L'apprentissage du violon à la croisée de l'école rationaliste française et de l'école pragmatiste Suzuki [Learning the violin at the crossroads of the French rationalist school and the pragmatic Suzuki school]. PhD diss., Université de Rouen. 505 pp.
Morabito 2012 = Morabito, Fabio. “The Genius of Performance and the String Quartet Concert: Pierre Baillot’s Markings in the Chamber Music by Cherubini and Beethoven.” Paper presented at the “Festival Paganiniano di Carro 2012: La scuola violinistica Franco-Belga da G. B. Viotti a E. Isaÿe,” 9–11 July 2012.
Morabito 2015a = Morabito, Fulvia, ed.. Locatelli and the Violin Bravua Tradition. Turnhout (Belgium): Brepols. xiv+405 pp.
Morabito 2015b = Morabito, Fabio. “Staging the Self or performing the Other? Playing string quartets with Pierre Baillot in Restoration Paris.” Unpublished paper presented at the Conference “L'homme-violon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
Morabito 2016a = Morabito, Fabio. PhD diss., King’s College, London.
Morabito 2016b = Morabito, Fabio. “The Score in the Performer’s Hands: Reading Traces of the Act of Performance as a Form of Analysis?” Music Theory Online 22/2 (June), 4 pp.
Focuses on the chamber concerts Baillot led in Paris.
Morabito 2020a = Moarabito, Fabio. "Theatrical Marginalia: Pierre Baillot and the Prototype of the Modern Performer." Music and Letters 101/2 (May), 270–99.
Morabito 2020b = Morabito, Fabio. “Rehearsing the Social: Beethoven’s Late Quartets in Paris, 1825–1829.” Journal of Musicology 37/3 (Summer), 349–82.
Pascoe 2008 = Pascoe, Keith. “Baillot, Pierre Marie François de Sales.” Luigi Boccherini: Diccionario de términos, lugares y personas, ed. Jaime Tortella, Madrid: Asociación Luigi Boccherini; English trans. published online as Luigi Boccherini: Dictionary of Persons, Places, and Terms, 2010, ed. Jaime Tortella.
Penesco 1991 = Penesco, Anne. “Le violon en France au temps de Baillot et de Paganini.” In: Eigeldinger, Jean-Jacques, ed. La Musique en France à l’époque romantique. Flammarion, coll. «Harmoniques», pp. 199–229.
Penesco 1999 = Penesco, Anne. "Pierre Baillot et l'école franco-belge de violon" [Pierre Baillot and the Franco-Belgian violin school]. Papers presented at the Conference "200 ans de pédagogie au Conservatoire," Paris, 2–4 Feb. 1996. Publ. in Le Conservatoire de Paris: deux cents ans de pédagogie, 1795–1995, ed. Anne Bongrain, Alain Poirier, and Marie-Hélène Coudroy-Saghai, Paris: Buchet-Chastel, pp. 91–99.
Penesco 2012 = Penesco, Anne. “Baillot et l'école franco-belge de violon: tradition et modernité.” Paper presented at the "Festival Paganiniano di Carro 2012: La scuola violinistica Franco-Belga da G. B. Viotti a E. Isaÿe," 9–11 July 2012.
Pincherle 1924 = Pincherle, Marc. “Quelques lettres de Viotti à Baillot.” Revue de Musicologie 5/11 (Aug.), 103–9.
Prod’homme 1920 = Prod’homme, Jacques Gabriel. “The Baron de Trémont: Souvenirs of Beethoven and Other Contemporaries.” Musical Quarterly 6/3 (July), 366–91.
Prod’homme 1927 = Prod’homme, Jacques Gabriel. “Baillot (Pierre-Marie-François), célèbre violoniste.” Le Ménestrel 89/32 (Aug. 12), 348–49.
Raymond 2015 = Raymond, Louise Bernard de. “Les Quatuors à cordes opus 34 de Pierre Baillot, à la croisée des traditions viennoise et française” [Pierre Baillot's string quartets op. 34 at the crossroads of Viennese and French traditions]. Paper presented at the conference "L'homme-violon: Pierre Baillot, 1771–1842 (2015)," Paris, 9–10 January 2015.
Rémond 2020 = Rémond, Anne-Charlotte. “Les soirées musicales de Pierre Baillot.” Musicopolis. Podcast RSS (9 June).
Reynaud 2007 = Reynaud, Cécile Reynaud. “Les fonds consacrés à Baillot au département de la Musique de la Bibliothèque nationale de France” [The Fond dedicated to Baillot in the Music Department of the National Library of France]. In: Fs. Joël-Marie Fauquet, Musique, esthétique et société au XIXe siècle: Liber amicorum Joël-Marie Fauquet, ed. Damien Colas, Florence Gétreau, and Malou Haine, Wavre: Éditions Mardaga, pp. 37–52.
Reynaud 2015 = Reynaud, Cécile, Cécile Kubik, Catherine Massip, and Étienne Jardin. “Les archives de Pierre Baillot.” Unpublished paper presented at the Conference “L'homme-violon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
Robinson 2014 = Robinson, Airdrie Kalyn. "Plein de feu, plein d'audace, plein dechange": Examining the Role of the Méthode de violon in the Establishment of the French Violin School. Master thesis, Department of Music, University of Lethbridge, Alberta, Canada. 74 pp
Rônez 2011 = Rônez, Marianne. “Pierre Baillot, ein Geiger an der Schwelle zum 19. Jahrhundert: Ein Vergleich seiner Violinschulen von 1803 und 1835” [Pierre Baillot, a violinist at the threshold of the 19th century: A comparison of his violin methods of 1803 and 1835]. In:Spielpraxis der Saiteninstrumente in der Romantik: Bericht des Symposiums in Bern, 18.–19. November 2006 (Musikforschung der Hochschule der Künste Bern, vol. 3), ed. Claudio Bacciagaluppi, Roman Brotbeck, and Anselm Gerhard, Schlingen/Markgräflerland: Edition Argus, pp. 23–57.
Rônez-Kubitschek 2012 = Rônez-Kubitschek, Marianne. Die Violintechnik im Wandel der Zeit: die Entwicklung der Violintechnik in Quellenzitaten: von den Anfängen bis Pierre Baillot 1835 [Violin technique through the ages: the development of violin technique, as evidenced by quotes from sources from the beginnings to Pierre Baillot, 1835]. (Musik, Forschung und Wissenschaft). 2 vols. with audio CD. Münster: LIT. 1416 pp.
Sauzay 1974 = Sauzay, Eugène, and Brigitte François-Sappey. “La vie musicale à Paris à travers les Mémoires d'Eugène Sauzay (1809–1901)” [Musical life in Paris, as seen through the Memoirs of Eugène Sauzay (1809–1901)]. Revue de musicologie 60/1–2, 159–210.
Schueneman 2002 = Schueneman, Bruce R. The French Violin School: Viotti, Rode, Kreutzer, Baillot, and Their Contemporaries. Ed. and with a preface by William E. Studwell. Works list and selected bibliography compiled by María de Jesús Ayala-Schueneman. Kingsville, Texas: The Lyre of Orpheus Press. 114 pp. Kindle ebook, 2004.
Schwarz 1983 = Schwarz, Boris. Great Masters of the Violin from Corelli and Vivaldi to Stern, Zukerman and Perlman. Foreword by Yehudi Menuhin. New York: Simon and Schuster. 671 pp.
pp. 162–68: “Pierre (Marie Franc:ois de Sales) Baillot.”
Schwarz 1987 = Schwarz, Boris. French Instrumental Music Between the Revolutions (1789-1830). Rev. ed. of PhD dissertation. Columbia University, 1950.
Sève 2015 = Sève, Bernard. “Écrits d’artistes et correspondance fictive: le cas d’une Épître de Pierre Baillot” [Writings by artists and fictional correspondence: the case of a letter by Pierre Baillot]. Unpublished paper presented at the Conference “L'homme-violon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
Soccane 1938 = Soccane, Pierre. “[Virtuoses:] Un maître du quatuor: P. Baillot (1771–1842)” [A master of the quartet: P. Baillot (1771–1842)]. Guide du concert (29 April and 6 May, 13 and 20 May, 27 May), 647–48, 679–81, 711–12.
Soccane 1939–43 = Soccane, Pierre. “Quelques documents inédits sur Pierre Baillot (1771–1842).” Revue de musicologie 20/71–72 (1939), 71–78; 22/2 (July 1843), 15–18.
Sohn 2003 = Sohn, Lisa. A Study of the Technical Aspects of the French School of Violin Playing as Exemplified in the Works of Baillot, Kreutzer, and Rode. DMA thesis, University of Miami.
Soulier 2015 = Soulier, Balthazar. “Le `Cher Crémone’ de Monsieur Baillot – réflexions organologiques autour des violons de Pierre Baillot” [The `Dear Cremona’ of Mr. Baillot—organological reflections about Pierre Baillot’s violins]. Paper presented at the Conference “L'homme-violon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
Stowell 1985 = Stowell, Robin. Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries. PhD diss., Cambridge University, 1979. Cambridge, U.K.: Cambridge University Press; paperback, 1990. 411 pp.
Stowell 2007 = Stowell, Robin. “In Principle: Robin Stowell Explores the Enduring Influence of Pierre Baillot’s 19th-Century Treatise L’Art du violon (Violin Pedagogy Through the Ages - 3: Pierre Baillot's L'art du Violon).” The Strad 118/1411 (Nov.), 74–77.
Suchowiejko 2012 = Suchowiejko, Renata. “Toutes les passions rapprochent les hommes. Le jeu du violon en tant qu'art oratoire et langue des sentiments” [All passions bring men together: violin playing as an oratorical art and the language of feelings]. Paper presented at the “Festival Paganiniano di Carro 2012: La scuola violinistica Franco-Belga da G. B. Viotti a E. Isaÿe,” July 9–11, 2012. Published in Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music 11 (April 2013), 43–55.
Suchowiejko 2015 = Suchowiejko, Renata. “Pierre Baillot et la culture musicale polonaise: Rencontres – Resonances – Rayonnement” [Pierre Baillot and Polish musical culture: encounters – resonances – influence.”]. Paper presented at the Conference “L'homme-violon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
Swartz 2003 = Swartz, Jonathan Ward. "Perspectives of violin pedagogy: A study of the treatises of Francesco Geminiani, Pierre Baillot, and Ivan Galamian, and a working manual by Jonathan Swartz." DMA thesis, Rice University. 101 pp.
Tisdall 2003 = Tisdall, Diane. “Baillot, Kreutzer & Rode: Méthode de Violon: Commentary and Translated Edition of the 1803 Violin Treatise Adopted by the Paris Conservatoire.” Master thesis, Royal Welsh College of Music and Drama. 59 pp.
Tisdall 2015 = Tisdall, Diane. “‘Geniuses Are Not Made in Schools’: Baillot’s violin classes at the Paris Conservatoire (1795–1815).” Unpublished paper presented at the Conference “L'homme-violon: Pierre Baillot, 1771–1842 (2015),” Paris, 9–10 January 2015.
Tisdall 2016 = Tisdall, Diane. Pierre Baillot and Violin Pedagogy in Paris, 1795–1815. Ph.D. diss., King’s College.
Tisdall 2018 = Tisdall, Diane. “Échanges pédagogiques avec les frontières impériales : les élèves-violonistes au Conservatoire de Paris pendant l’ère napoléonienne” [Pedagogical exchanges with imperial borders: student violinists at the Paris Conservatory during the Napoleonic era]. Paper presented at the conference Musique et musiciens d’Église au XVIIIe siècle: Jeux de frontières, Centre d'Histoire “Espaces et Cultures,” University Clermont-Auvergne; Centre de musique baroque de Versailles, Clermont-Ferrand, Oct. 2018,
Tisdall 2021 = Tisdall, Diane.“Blood, Sweat and Scales: the Birth of Modern Bureaucracy at the Paris Conservatoire.”
Tisdall 2022a = Tisdall, Diane. “On Tour with Paganini and Baillot in 1833.”
Tisdall 2022b = Tisdall, Diane. “Listening and Learning at the Paris Conservatoire Student Concerts, 1801–15.”
Tisdall 2022c = Tisdall, Diane. “Uniqueness or Uniformity: Baillot's Violin Sound-Worlds at the Paris Conservatoire.”
Triviño Lopez 2014a = Triviño López, Lorenzo. Hermenéutica del lenguaje violinístico: Estudio filológico de la escuela parisina de Viotti a partir de la contextualización de sus publicaciones metodológicas [Hermeneutics of the violinistic language: philological study of the Parisian school of Viotti, based on the contextualization of his pedagogical publications]. PhD diss,, University of Málaga. 544 pp.
Triviño López 2014b = Triviño López, Lorenzo. “Locatelli's Bow Technic Legacy in Baillot's l'«Art du violon».” Unpublished paper presented at the conference “P. A. Locatelli and J.-M. Leclair: Legacy in the xix Century,” Bergamo, 17–19 October 2014.
Triviño López 2015 = Triviño López, Lorenzo. Fundamentos expresivos y trascendencias violinísticas de la escuela parisina de Giovanni B. Viotti. Sevilla: Punto Rojo Libros S.L. 254 pp.
Vandoros 2015 = Markella Sofia Alexandra Maria Vandoros. Pierre Baillot (1771–1842): Institutions, Values and Identity. PhD diss., King’s College, London. 198 pp.
Warszawski 2020 = Warszawski, Jean-Marc. “Pierre Baillot.” Musicologie (www.musicologie.org).
Wasielewski 1905 = Wasielewski, Wilhelm Joseph von. Die Violine und ihre Meister. 4th rev. and exp. ed. Leipzig: Breitkopf und Härtel. 651 pp.
Wulfhorst 2022 = Wulfhorst, Martin. “Pierre Baillot: Against the Odds. Pierre Baillot Battled Against Financial Hardship and Suffered Personal Tragedy, Yet He Became a Leading Exponent of the 19th-Century French Violin School. Martin Wulfhorst Reveals His Importance as an Instrumentalist, Pedagogue and Composer.” The Strad (Feb. 2022), pp. 38–45.
Abstract and Corrections
© Martin Wulfhorst 2021 /R 2022
Pierre Baillot (1771–1842)
LINKS
This website, initiated on occasion of the 250th anniversary of Baillot's birth in October 2021, is intended as guide to research, materials, and information. A more comprehensive publication on Baillot is in preparation.